Peter Beard

Peter Beard

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Peter Beard past away last year in April. He had been missing and had suffered from dementia, after an extensive search his body was found in the woods near his house 19 days after he disappeared. “He died where he lived: in nature”, his family said, a place he knew well. He was 82, and had lived quite the full life, one could say. He grew up a curious young boy in a wealthy family, spending time in the South and New York City. He eventually wound up in Africa, where he bought a farm and spent many years documenting the wildlife, as well as the wild scenes he found throughout his travels there. His books, and his especially his photography, had a heavy influence on me when I first got deep into art and film photography. When I saw his heavily worked up prints made from his travels in Africa in a magazine somewhere for the first time, I was shocked. Images of strung up crocodiles, reflected in a shallow pool, with tribesman standing around, elephant stampedes, and large African wildlife looking straight into the camera. His wild works of art were generally made up of a large main image surrounded on the margins with all sorts of things tacked on or glued on; crocodile eggs, his handwritten script, and smeared blood were common choices. Along with little images from proof sheets and pieces of ephemera, seeing his work was like looking into some wildman naturalist’s field guide,

Tropic of Capricorn

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What has living along the line of the Tropic of Capricorn done to me, or changed in me thus far? Hard to say as of now. Due to the ensuing pandemic it has been more difficult to get “out” and really see and feel the geography. One thing is for sure, I now know what it’s like to live where thunderstorms converge and bring fury as fast as emotions can rise within the body and bring rage. The vibe here on the line that separates the tropics, from the near tropics, is fine, and the lines one needs to walk here in the biggest city in South America can also be constantly shifting. Goals and ideas, are always in flux here, more so than in the calm Mediterranean climes I’m more accustomed to. I suppose it will be some time later when I will understand how living along this line of latitude has changed me, if at all, and it may be a change that I will never fully understand. 

As of now I am very disappointed that the pandemic has made it so hard to travel to places such as the Pantanal and Cerrado regions, where the biodiversity these places harbor would impress any naturalist around the world, and worse so, the fires that have ravaged the Pantanal leave me wondering if I will ever be able to see it as I had imagined. Fire seems to follow me, or at least to follow my dreams and my places of interest.

North Coast Peru with a couple of Disposable Cameras

North Coast Peru with a couple of Disposable Cameras

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Starting out in Lima we walked around the city, ate well, and prepared for our trip north. We enjoyed walking the streets and admiring some of the cool casitas of hip Mira Flores and the modern restaurants including a profound meal at Virgilio Martínez Véliz’s Central. After we left Lima we made our way up the north coast pf Peru via bus and taxis. Along the way we visited many fascinating cultural sites, almost all of which I had never heard of until right before I left for this trip. Among the many sites we toured was the largest mud-brick city in the world, Chan Chan. Impressive in its size and complexity the site of Chan Chan is a walk back to a different era. We also visited the royal tombs of Sipán, Túcume, and a few other Huacas, or temples. The Museum of the Royal Tombs of Sipán, which besides its interesting architecture from the outside, had amazing exhibits inside as well that displayed the many ornaments found in the tombs. Funerary items such as gold and silver chest plates, and face masks of turquoise and gold that resembled the items found in the Egyptian tombs. Also pictured are the temples of Túcume, and at Túcume I found the most interesting museum of them all. The museum was founded by the famous Norwegian archaeologist Thor Heyerdahl, who had successfully sailed an ancient ship across the Pacific from South America to the Polynesian islands proving that it could have been possible for ancient peoples to make long sea voyages.

Holga 35mm in Rio

Holga 35mm in Rio

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Getting back into the film groove I wanted to try and use my Holga camera that I have had for many years, so I brought it with me to Rio in May for my first visit to that famous city by the sea. I was there for the National Association of Interpretation’sInternational Conference, more on that later, and as part of the conference I was able to attend a couple of field trips to the natural and protected areas around Rio. I brought my modified Holga with me on those trips. I had modified the cheap plastic camera to shoot 35mm film in a camera made to shoot 120 or medium format film. It is made possible by adding a couple of custom pieces (that I bought from randy at Holgamods) that hold the 35mm film canister in place. This allows you to expose the entire film width, including the area around the sprockets, and allowing for a sort of panoramic capture as well. However, like any shot with a Holga you have to guess the exposure and with this particular set up you also have to count the number of clicks or turns of the film knob in order to advance the film and expose the shots evenly. 
This was my first time using the Holga in many years, and the first time with this 35mm adapter in place. The results were not groundbreaking in any way but I would give it another try one day for sure.